The latest issue of Vanity Fair arrives as a comprehensive showcase of modern style, Hollywood ascendance, and cultural influence, capturing a striking cross-section of film stars, television titans, fashion innovators, and aristocratic figures. Across a series of elaborately realized feature stories, the publication details both the sartorial selections and the behind-the-scenes artistry of leading beauty professionals, groomers, set designers, and production teams who shaped the issue’s visual identity.
Leading the edition is cover star Florence Pugh, photographed ahead of her starring turn in the anticipated adaptation of East of Eden. Accompanied by an in-depth profile chronicling her recent period of rest and artistic recalibration, Pugh’s cover and feature spreads highlight a deliberate blend of modern bridal minimalism, archival discovery, and striking high fashion. On the cover, the actor appears in an ethereal ivory design from Lein Studio, establishing a serene aesthetic that carries over into the inside narrative, titled “The Navigator.”
In subsequent pages within the feature, Pugh pairs her Lein wardrobe with delicate footwear from Aquazzura, transitions into a rare vintage Maison Margiela gown sourced directly from London’s West Archive, and commands a full-page editorial portrait in a dramatic couture creation by London-based designer Robert Wun, complemented by an opulent Bulgari High Jewelry diamond necklace. Behind the camera, Pugh’s signature aesthetic was orchestrated by a dedicated beauty and production crew: hair was sculpted by Shon Ju representing The Wall Group, while makeup artist Alex Babsky of The Visionaries created a polished, glowing complexion utilizing Dior beauty formulations. Manicurist Michelle Class of LMC Worldwide applied Bio Sculpture nail treatments, with the physical environment built by set designer Rachel Thomas for Mimi Title and the location shoot coordinated by Chantelle-Shakila Tiagi for Tiagi.
Beyond the cover story, the magazine turns its spotlight toward Hollywood’s next generation of talent in its opening “Vanities” section. Actor Joseph Zada, profiled as the rising Hunger Games star poised to break into major franchise prominence, fronts an editorial feature titled “Zada Bing!” The young actor’s wardrobe blends mid-century classicism with contemporary urban luxury. In opening shots, Zada wears tailored menswear from Giorgio Armani, leather dress shoes from Spanish shoemaker Carmina, an Hermès necktie, and socks by London Sock Company, topped off with a navy chainstitch 1977 cotton twill baseball cap by British outfitter Drake’s and a Rolex timepiece.
In subsequent looks curated for the profile, Zada shifts seamlessly between high-tailored elegance and streetwear accents, sporting structured Ferragamo suits and ties paired with retro Reebok sneakers, futuristic Oakley sunglasses, and a Rolex watch. In additional framing, he is dressed in sweeping outerwear from Loewe, sharp tailoring from Louis Vuitton Men, a Celine dress shirt, a heritage French silk tie from Charvet, and polished leather Prada shoes. Groomer Kumi Craig for The Wall Group oversaw Zada’s camera-ready appearance, prepping his skin with La Mer treatments and styling his hair with Shu Uemura Art of Hair products. The shoot’s visual atmosphere was conceived by set designer Colin Phelan for Andrew Gethins Management, with location production steered by Billy Kiessling and Mitch Zachary on behalf of Modem Creative Projects.
The “Vanities” section also delves into the private realms of leading designers shaping modern aesthetics. Jérôme Mage, the visionary behind luxury eyewear label Jacques Marie Mage, invites readers into his secluded Los Angeles residence for the feature “Sunshine Daydream.” Mage was groomed for the shoot by Jenna Nelson for The Wall Group, utilizing haircare products by Leonor Greyl and skincare formulations from Augustinus Bader, against an intimate residential set conceptualized by Robert Doran for Bryant Artists. Meanwhile, the “My Stuff” column profiles Catherine Holstein, founder and creative director of the celebrated New York brand Khaite. Holstein discusses her personal essentials while styled with hair by Ruth Black using L’Oréal Paris and makeup applied by Cyndle K for MA+Group using Victoria Beckham Beauty products.
The magazine’s centerpiece portfolio, “The New Establishment,” delivers a striking roster of figures transforming media, streaming, digital discourse, and high fashion, with portraiture produced by AL Studio. The expansive section highlights the dynamic personalities redefining contemporary entertainment and style, backed by top-tier creative teams. Television powerhouse Taylor Sheridan, the prolific creator behind expansive Western and drama franchises, appears groomed by Kristen Shaw of The Wall Group, who utilized Oribe hair products and Giorgio Armani Beauty complexion products, with set design crafted by Montana Pugh for MHS Artists.
Fashion designer Matthieu Blazy, renowned for his directional stewardship of Bottega Veneta, is captured in an evocative portrait featuring hair styling by Duffy and grooming by Kana Nagashima, set against architectural backdrops conceived by renowned set designer Mary Howard.
A central portrait within “The New Establishment” unites television titan Ryan Murphy with two of his frequent collaborators, actors Sarah Paulson and Kaia Gerber, in an ensemble styled under the direction of fashion editor Emma Jade Morrison for The Wall Group. For the shoot, Paulson wore makeup by Adam Breuchaud for Forward Artists using Armani Beauty, hair by Michael Torrey of Forward Artists, and a Chanel Le Vernis manicure by Yoko Sakakura for A-Frame Agency. Murphy was groomed by KC Fee for Redefine Representation with skincare by Aesop. Kaia Gerber appeared with hair styled by Kiley Fitzgerald for A-Frame Agency, a manicure by Sakakura, and makeup by Diane Buzzetta of Highlight Artists using Nars cosmetics, framed by Montana Pugh’s set design.
Representing the burgeoning world of digital political commentary within the establishment ranks, broadcaster Hasan Piker was styled for the feature with hair grooming by Rachel Burney of The Wall Group utilizing Highland styling products, alongside skincare preparation provided by Dieux.
The visual mood pivots to a dreamlike pastoral energy in the sprawling woodland editorial “Babes in the Wood,” which centers on comedian and writer Jordan Firstman alongside a diverse cast of actors, artists, and personalities. Produced on location by Tim Territo, the spread incorporates avant-garde dark romance, rugged outdoor utilities, and delicate vintage layers. Firstman appears throughout the story in contrasting silhouettes, pairing Dolce & Gabbana garments with LaCrosse utility boots and fine jewelry by Āzlee, before transitioning into a tailoring-forward ensemble featuring a classic Dior overcoat, a Calvin Klein top, vintage trousers from Lower Manhattan’s The Society Archive, and Āzlee necklaces. Firstman’s grooming was handled by hair stylist Dionah Austgen and makeup artist Aliana Moss, both representing SW Artists, using Kevin Murphy haircare and Jaxon Lane skincare.
Surrounding Firstman in the forest setting is a distinctive cast outfitted in a mix of heritage luxury and deconstructed tailoring. Model and actor Cara Delevingne brings an edgy minimalism to the spread, outfitted in flowing Ann Demeulemeester designs layered over Fleur du Mal silk intimates—including the luxe triangle bra and cheeky briefs—accented by a James Perse Los Angeles beanie and heavy-duty Hunter rain boots. Delevingne’s beauty was executed by hairstylist Owen Gould for A-Frame Agency and makeup artist Elaine Offers for Exclusive Artists, both relying entirely on L’Oréal Paris products.
Actor Diego Calva embraces romantic gothic lines, draped in a sweeping Ann Demeulemeester cape and trousers, grounded by leather Loewe boots, Bombas socks, and an archival shirt from The Society Archive. Performer Reggie Absolom appears in an Ann Demeulemeester vest, classic Levi’s relaxed tee, Polo Ralph Lauren trousers, Hunter boots, a custom crown by milliner Heather Huey, a theatrical hat from Cha Cha’s House of Ill Repute, and an archival jacket.
Musician and actor Miss Benny wears a textured Bottega Veneta knit sweater combined with a fluid Fendi dress and Balenciaga boots, while artist Alaska Riley is captured in a sculptural Alexander McQueen dress paired with Fleur du Mal lace demi-cups, Dolce & Gabbana undergarments, and Hunter boots. Creative and musician Saturn Risin9 rounds out the group in an understated Fendi dress anchored by Ann Demeulemeester footwear and Dolce & Gabbana underpinnings. For Miss Benny, Riley, and Saturn Risin9, hair was crafted by Owen Gould using Moroccanoil, while Elaine Offers created glowing complexions using Koh Gen Do cosmetics.
Elsewhere in the issue, aristocratic high society meets contemporary glamour in an exclusive profile highlighting Lady Amelia Spencer and Lady Eliza Spencer, titled “Meet the Tabloid-Proof Spencer Sisters.” Photographed on location by producer Bea Hatcher for Together Associates, the royal-adjacent twin sisters display an array of haute joaillerie and refined Parisian tailoring. Wardrobe highlights include romantic floral garments by Erdem, tailored daywear and shoes from Chloé, and structured ready-to-wear and footwear from Dior. The looks are accented with world-class fine jewelry, including a Cartier statement ring, Cartier earrings, a Schlumberger ring from Tiffany & Co., and cascading high-jewelry earrings from Chopard. Hairstylist Roxy Attard prepped the duo’s locks using R+Co products, while makeup artist Kim Brown for Premier Hair and Make-up delivered refined beauty utilizing Chanel cosmetics.
Closing out the magazine’s artistic features is “Island unto Herself,” a visual celebration of Jamaican-American designer Rachel Scott, the founder of the label Diotima, who is spotlighted for reshaping modern American luxury. Fashion editor Becky Akinyode brought together an inspiring cohort to surround Scott, including gallery owner Nicola Vassell, curator Ashley James, photographer Ming Smith, Shin Ae Lee, Shay Johnson, and Roman Gordon. Movement director Samuel Schler for Collab x Collab choreographed the collective portraiture, with location production overseen by Lizzie Freedman. The subjects were unified through minimalist, clean beauty routines: hairstylist Yu Nakata for L’Atelier NYC shaped each subject’s hair using Oribe products, while makeup artist Rei Tajima for Bridge created fresh, understated skin using Westman Atelier formulations.
Across every story, the comprehensive production credits reflect the extensive network of creative hands—from independent boutique archivists and milliners to global luxury beauty houses—that collectively brought Vanity Fair’s newest pages to fruition.
