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Wednesday, November 4, 2026 | 7:39 AM

Beyond Form and Function: Why Modern Designers Must Master Business, Manufacturing, and Entrepreneurship

A well-designed product can solve intricate human problems, but getting that tangible innovation out of a studio and directly into the hands of the people who need it most is an entirely different challenge. In today’s rapidly evolving industrial landscape, designers are increasingly being asked to look far beyond traditional aesthetics, form, and basic function. They must now grapple with complex business models, global manufacturing constraints, nuanced marketing strategies, regulatory hurdles, and commercial scalability.

This profound shift in the discipline is the central focus of the latest episode of SURROUND Presents. In the conversation, METROPOLIS Editor-in-Chief Avi Rajagopal explores this expanding professional terrain alongside Souvik Paul, founder of the medical device startup Aurie, and Sinclair Smith of the School of Visual Arts (SVA) MFA Products of Design program. Their deep-dive dialogue examines the arduous journey required to move from initially identifying a real-world problem to developing a truly viable, market-ready solution. Furthermore, the discussion unpacks why hands-on entrepreneurship is rapidly becoming an indispensable component of a modern designer’s formal education.

For Paul, the path toward medical device design was neither linear nor conventional. His professional life initially began on Wall Street, where he worked within the fast-paced world of finance before choosing to pivot toward a completely different career trajectory in industrial design. However, a profound personal event occurred just two weeks before he was scheduled to begin his graduate studies at the School of Visual Arts: his future sister-in-law sustained a severe spinal cord injury in a devastating car accident.

That traumatic and life-altering experience fundamentally shifted Paul’s personal approach to design. It prompted him to dedicate his academic studies and subsequent professional ambitions toward deeply understanding how physical products, digital interfaces, and broader services could tangibly improve the daily lives of individuals living with permanent disabilities.

That dedicated academic and creative exploration eventually culminated in the creation of Aurie, an innovative medical device startup currently focused on developing a reusable catheter system designed specifically for individuals living with spinal cord injuries, spina bifida, and multiple sclerosis. Conventional medical care in this sector relies heavily on single-use catheters, which create substantial physical waste, daily logistical burdens, and recurring financial costs for patients. In stark contrast, Aurie’s pioneering system can be safely reused up to 100 times. The compact, thoughtfully engineered device automatically cleans, disinfects, and lubricates the catheter between individual uses. This breakthrough approach fundamentally reconsiders not only the physical ergonomics of the product itself, but also the broader economic sustainability and quality-of-life implications of continued catheter use.

Yet, designing an ingenious, user-centric medical system was only half the battle. After completing his graduate education, Paul spent time working as a design strategist at Johnson & Johnson. During this tenure, he gained firsthand exposure to the immense difficulties, bureaucratic layers, and strict regulatory pathways inherent in bringing new medical technologies to the commercial market. Through that corporate experience, he eventually realized that if he truly wanted Aurie to exist in the world, waiting for someone else to champion it was not an option. He would need to build the entire business infrastructure behind it himself.

Reflecting on that realization during his appearance on SURROUND Presents, Paul recalled his internal motivation. If he truly believed that this specific product could—and should—exist to alleviate human suffering, he knew he was going to have to do the heavy legwork required to take it all the way across the finish line.

That clear-eyed realization speaks directly to a much broader and more systemic shift currently taking place within design education as a whole. At the School of Visual Arts, Sinclair Smith has been actively rethinking how the MFA Products of Design program prepares its students to develop their creative ideas far beyond the initial prototype stage. Drawing extensively from his valuable experience running the institution’s Ground Floor Incubator, Smith has successfully integrated business modeling, financial literacy, and core entrepreneurial principles more directly into the core curriculum. This educational integration ensures that students are equipped to develop robust commercial frameworks for their thesis projects alongside the physical and digital products themselves.

Paul’s entrepreneurial journey beautifully illustrates the value of this broader, multidisciplinary approach. For him, the diverse skill set cultivated through his specialized design education continues to inform his daily work in profound ways. Whether he is collaborating seamlessly with fellow designers, communicating complex technical value propositions to skeptical investors, or meticulously navigating the rigorous regulatory requirements mandated for medical device development, his design background remains foundational.

Ultimately, the conversation between Rajagopal, Paul, and Smith highlights how contemporary designers can no longer afford to work in an insular creative vacuum. They must increasingly understand the intricate larger systems—spanning economics, manufacturing, logistics, and regulation—that ultimately determine how, and whether, their creative ideas can truly make a lasting difference in the world.

Listeners can tune into the full episode of SURROUND Presents, proudly presented by SVA, to hear Avi Rajagopal’s complete conversation with Souvik Paul and Sinclair Smith.

Editorial Transparency: This article was developed with the assistance of AI tools, which may have been used for research, outlining, editing, or copy refinement. Reporting, fact-checking, and editorial decisions were made independently by the Design Milk editorial team.

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