Right now, art lovers and collectors alike could certainly use a moment of indulgence. There is a distinct, grounding satisfaction in acquiring a terrific piece of art jewelry for oneself, all while actively celebrating and supporting the visionary artists and dedicated galleries that bring these works to light.
Art Jewelry Forum’s international gallery supporters continuously champion, celebrate, and exhibit contemporary art jewelry from across the globe. Through the organization’s bi-monthly On Offer series, this extensive network of international galleries is given a dedicated platform to showcase extraordinary pieces personally selected to tempt, provoke, and inspire enthusiasts. A glance through the curated selections reveals a world of craftsmanship where anyone is bound to find a fantastic piece they simply cannot live without. For those looking to acquire or inquire about these works, prospective buyers are encouraged to contact the exhibiting galleries directly.
Caroline Broadhead at Galeria Reverso
Kicking off the November selections, Galeria Reverso in Lisbon, Portugal, presents the work of renowned artist Caroline Broadhead. Represented by gallerist Paula Crespo, Broadhead’s Suspended Pearls V (2023) is a necklace crafted from glass beads, thread, a vintage necklace, and a vintage necklace clasp, measuring 19 ¼ x 9 ⅝ inches (490 x 250 mm) and photographed by James Champion. The retail price for the piece is set at 4,920€.
Reflecting on the conceptual foundation of the work, Broadhead notes that conventionally, pearls have long been associated with dignity and composure. However, in her piece, there is clear evidence of something breaking, or perhaps coming undone, with the pearls going their own separate ways. The creation functions as a combination of two generic types of beaded necklaces—the single string of beads and the beaded collar—integrated and worn simultaneously to produce a striking double presence.
Vanessa Williams at Zu design
Traveling to the Southern Hemisphere, Zu design in Adelaide, South Australia, features the striking work of artist Vanessa Williams. Presented by gallerist Jane Bowden, Williams’s Puffed Up (2026) is a neckpiece constructed from titanium, measuring 21 ¼ x 1 ½ x ½ inches (540 x 37 x 12 mm) with photography by Jane Bowden. The retail price is AUS$4,950.
Williams has described the intricate and demanding technique behind her Puffed Pieces, which were originally created for Zu design’s recent exhibition titled stateMEANT. Having used titanium predominantly for many years, Williams is constantly seeking new and interesting ways to push the boundaries of the material. These specific pieces were realized using a technique she had wanted to try with titanium for quite some time, despite knowing that titanium is less pliable than other metals and uncertain whether the method would succeed. The process begins by cleaning the metal and drilling a "blow hole" into one disc, after which the components are laser-welded together. Once welded, Williams anneals the titanium with heat to render it more flexible. The intense heat from the torch simultaneously oxidizes the surface into various shades of gray. While still hot from the heating process, an air gun is used to inflate the metal pods—resulting in an instantaneous transformation, or a sudden "Puff!"
Anneli Tammik at the Wearable Art Museum
The Wearable Art Museum highlights the work of Estonian artist Anneli Tammik, represented by director Lisa M. Berman. Tammik’s brooch, Peace to Piece Flores (2026), is constructed from 3D-printed nylon, sterling silver, and London topaz, measuring 5 ½ x 3 ½ x 2 inches (140 x 90 x 60 mm) with photography by Juta Kubarsepp. The retail price for the brooch is US$1,900.
The piece holds significant acclaim, having been selected as one of just 12 finalists out of 183 submissions in the international jewelry selection at Venice Jewelry Week 2026, where it was featured in the Finalist Exhibition held at the Chiesa dell’Abbazia della Misericordia in Cannaregio. Tammik, a multi-awarded, established artist from Estonia, presents this brooch and its related collections on behalf of the Wearable Art Museum at the Czech Center New York during NYCJW2026.
Warwick Freeman at Fingers Gallery
In Auckland, New Zealand, Fingers Gallery presents a classically beautiful work by preeminent jeweler Warwick Freeman. Curated alongside gallerist Mary Curtis, Freeman’s Shiv Pendant (2026) is crafted entirely from deer antler and measures 4 ⅛ x 4 ⅜ inches (105 x 110 mm), with photography provided by Michael Couper. The retail price is NZ$2,500. The piece stands out for its compelling simplicity, showcasing a mastery of proportion and scale that has come to define Freeman’s celebrated career.
Jesse Aviv at Gravers Lane Gallery
Over a thousand distinct chainmail weaves exist across the world, many carrying geographic designations like European 4-in-1 and Full Persian 6-in-1, with each weave producing its own unique texture, density, and drape. Jesse Aviv, the founder of Free Maison, developed ciphered chainmail to bridge these forms—binding specific weaves at calculated angles and tensions so that the structural transition itself functions as an integrated visual and structural design element.
Presented by Gravers Lane Gallery in Philadelphia, Pennsylvania, through gallerist Mia Chen, Aviv’s Earthworm Necklace, Black (2026) is engineered entirely from raw aluminum rings without the use of stitching, glue, or internal frames. Crafted in black anodized aluminum, the 18 x 1 x 1-inch (457 x 25 x 25 mm) necklace is designed to resist oxidation and rust, ensuring a finish meant to last a lifetime. Notably, costume designer Molly Rogers utilized Free Maison pieces across three separate premiere events for the film The Devil Wears Prada 2. The retail price for the piece is US$205.
Carina Shoshtary at Pistachios Contemporary Art Jewelry
Pistachios Contemporary Art Jewelry in Chicago, Illinois, features a jaw-dropping statement necklace and wall sculpture by artist Carina Shoshtary. Presented by marketing director Meg Nash, Shoshtary’s Deep Waters (2026) incorporates snail shells, seashells, PLA with cellulose, paper, silver, lacquer, and paint, featuring a pendant measuring approximately 7 ½ x 7 ½ inches (191 x 191 mm) with photography by the artist. The retail price is set at 5,495€.
Reflecting on the emotional resonance of the work, Shoshtary shares a poetic contemplation on resilience: "Let the waves come. Let them lift you, rock you, wash over you. You don’t have to defeat the water or understand its turbulence to remain whole. Eventually, the sea will settle and the horizon will open again. And there you are, still afloat." Demonstrating remarkable versatility, the pendant can be easily detached from the necklace and mounted directly onto a wall as a standalone sculpture. This piece will be featured in a collaborative exhibition between Pistachios and Thereza Pedrosa Gallery titled Fireworks in the Rain, which debuts at Pistachios before traveling to Munich in March 2027 for jewelry week.
Michael Becker at Objects Beautiful
In London, United Kingdom, Objects Beautiful highlights the meticulous work of Michael Becker. Represented by gallerist Yael Reisner, Becker’s Lapis Lazuli Square Ring (2023) is crafted from 18-karat gold and features a deeply saturated lapis lazuli stone mined in Afghanistan. Measuring 1 x 1 inch (25 x 25 mm) with photography by the artist, the ring carries a retail price of £4,420 GBP. Becker’s objects are widely regarded as remarkable, exceptionally detailed, and distinctive for their unusual stone-setting techniques, resulting in a smooth, rounded form that comfortably hugs the wearer’s finger.
Federica Sala at Thereza Pedrosa Gallery
At Thereza Pedrosa Gallery in Asolo, Italy, gallerist Thereza Pedrosa presents the work of artist Federica Sala. Sala’s brooch, Confuso, is crafted from a combination of glass, silver, and marble, with a retail price of 1,030€. At the core of the piece is a profound exploration of balance. By bringing together two seemingly contrasting materials—glass and marble—Sala establishes a compelling dialogue between strength and fragility, weight and lightness, opacity and transparency. Rather than allowing these opposing forces to compete, she unites them in a delicate equilibrium where their contrasting qualities enhance one another.
Sofia Björkman at Four Gallery
Four Gallery in Umeå, Sweden, showcases a brooch by artist Sofia Björkman, presented through gallerist Karin Roy Andersson. Titled Resting Shadows (2025), the brooch is created from PLA, steel, and acrylic paint, measuring 9 ½ x 6 ¼ x ¾ inches (240 x 160 x 20 mm) with photography by the artist. The retail price is 640€, excluding VAT.
Björkman’s new body of work was sparked by an unusual gift: receiving a 3D pen for her birthday. This tool initiated a series of three-dimensional drawings centered around the wilderness and environmental impact, exploring themes such as burnt landscapes, genetically modified plants, and affected animals. In her view, the human body acts as a landscape upon which jewelry can be placed, allowing the piece to travel freely across space, time, and changing contexts.
Anika Smulovitz at Heidi Lowe Gallery
In Lewes, Delaware, the Heidi Lowe Gallery features a work created by Anika Smulovitz for the 2026 ReJewelry Exhibition organized by Radical Jewelry Makeover. Represented by gallerist Heidi Lowe, Smulovitz’s brooch, Breathe 25 (2026), measures 7 x 2 ½ x 1 inches (178 x 64 x 25 mm) and is fabricated from recycled silver, found wood, and repurposed natural pearls, with photography by Madison Hoffman and Auriele Gould. The retail price is US$540.
Rosalie Maguire at Baltimore Jewelry Center
The Baltimore Jewelry Center in Baltimore, Maryland, highlights the playful, kinetic work of artist-in-residence Rosalie Maguire. Presented by J Diamond, Maguire’s Carousel Earrings (2025) are constructed from sterling silver, Peruvian opal, pearl, and green calcite, measuring 5 x 3 x 3 inches (127 x 76 x 76 mm) with photography by the artist. Priced at US$325, the earrings feature tiny horse-like shapes constructed from sterling silver scraps, some set with gemstones. The pieces are designed to evoke strange and fantastical memories while incorporating sound and movement into bodily adornment.
Sanna Svedestedt at Platina
Rounding out the November selections, Platina in Stockholm, Sweden, presents the work of artist Sanna Svedestedt, curated by gallerist Sofia Bjorkman. Svedestedt’s brooch, The Second After—Sea Salted Caramel (2025), is crafted from naturally tanned reindeer leather and light clay, measuring 5 ½ x 3 ⅞ x 4 inches (140 x 80 x 100 mm) with a weight of 30 grams and photography by the artist. The retail price is US$1,400.
The piece forms part of the Dropped Ice Cream brooch series, which addresses the iconic, universally understood moment when an ice cream cone slips and hits the ground—serving as a physical symbol of a disaster that has already occurred. While the situation has reached its peak, Svedestedt suggests there can still be a sense of calm found in the eye of the storm. By assessing the damage and wearing grief proudly, one continues the act of making and moving forward. Svedestedt approaches her craft sculpturally, working with vegetable-tanned leather and experimenting with historical techniques to challenge and stretch the traditional boundaries of leather as an artistic medium.
